Metaphysical Dog: Poems by Robert Pinsky - Thought-Provoking Poetry Collection for Book Lovers & Literary Enthusiasts | Perfect for Reading, Study & Gift Giving

Reading Frank Bidart's new collection of poems Metaphysical Dog, I learned something about how I read poetry. I learned from the absence of something.In reading a poetry collection, I usually look for one poem, any poem, that will center the entire collection for me. It might be the title poem, though it often isn't. But one poem becomes, for me, the filter for the rest, a kind of prism of understanding what the poet has done with the poems he or she has included in this particular collection. I admit that this may be a practice peculiar to me.I didn't find that one poem in reading "Metaphysical Dog:Poems," even after reading it three times.However, I had a fall-back position. I ended up reading the collection of 39 poems as a single poem, each individual part blending into what preceded and what came after. I don't believe Bidart wrote the poems that way, but that is how I ultimately understood the collection.Collectively, and even when I break them apart individually, these poems pack a powerful emotional wallop. You begin the reading the first poem, the title poem, and without realizing it you're soon hurtling through a highly personal, highly emotional experience.The poems range across the poet's life, not in chronological order but in what might be called an increasing intensity of experience. Here's "Like," which comes early on in the poems:Woe is blunted not erasedby like. Your hands were too full, thenempty. At the grave'slip, secretly you imagine thenrefuse to imaginea spectreso like what you watched die, the uniquesoul you loved endures a second death.The dead hate like, bitterwhen the living with too-smallgrief replace them. You dreadloving again, exhausted by the hungersineradicable in his presence. You resiststrangers until a stranger makes the old hungersbrutally wake. We live by symbolicsubstitution. At the grave's lip, what isbut is not is whatreturns you to what is not.From there, Bidart doesn't move forward or farther; he moves deeper, deeper into family, self, and gender confusion followed by acceptance (although acceptance arrives before confusion). He talks about, with, and to Walt Whitman, whom he could have been referring to in "Like." He travels toward the absolute and then away from it.He arrives, in "Of His Bones Are Coral Made," at transformation, and it is an arrival at the end of his life, not at the beginning:He still trolled books, films, gossip, his ownpast, searching not just forideas that dissect the mountain thatin his early old age he is almost convincedcannot be dissected:he searched for stories:stories the pattern of whoseknot dimly traces the patterns of his own:what is intolerable inthe world, which is to sayintolerable in himself, ingested, digested:the stories thathaunt each of us, for each of usrip open the mountain...The four poems that follow are not so much post-climactic as they are a quiet acceptance and understanding.Bidart has written numerous collections of poetry and received many awards, including the Wallace Stevens Award and the Bollingen Prize. He is a "presence" in contemporary American poetry, but more than that, he continues to create collections like Metaphysical Dog that perplex, amaze, provoke, and then, oddly, bring calm and understanding.